The exhibit should present an evolution of one’s work by visualizing research, influences, and findings. The goals of these awards are to provide a multidisciplinary platform for deeper learning, while fostering intellectual discourse, in order to demonstrate the breadth of WVU’s creative and innovative activities.
Blog post by Christina White, undergraduate researcher at WVU
This is the twelfth post in White’s series on race, justice, and social change through cookbooks, featuring the following books from the Ebersole collection: Mammy Pleasant’s Cookbook, A Date with a Dish, A Good Heart and a Light Hand, and The Jemima Code.
If my parents started acting like social butterflies, they’re either sick or about to win a lot of money. Unlike me, Ruth L. Gaskins, the author of A Good Heart and A Light Hand, had the most social parents under the sun. They belonged to more clubs than I did freshman year of college (when I signed up for EVERYTHING at club fairs). I’d never heard of these organizations: the American Legion and the United Order of Tents. A bit morbidly, the Order of Tents paid for your funeral if you sent them fifty cents a month, like an insurance company for funerals. If you want a fancier funeral, you’d pay a dollar a month.
“My Grandmother was a Tent, Mama is a Tent, and so am I. I was signed up for the Junior Division when I was nine…” Ruth was not an active member, but she was required to attend every club supper in the winter and summer with her family.
This cookbook was the most detailed description of daily life I found during my dive into the Ebersole Collection. Ruth didn’t focus on an extensive ingredient list, but rather to immerse the reader in a day in her life. I learned something special: what matters to her.
When Ruth mentioned the Luncheon Club, her tone lurched downwards. In this club, her mother and friends would dress up, set an extravagant table, and cook intricate meals that “would really get away from the traditional foods.”
“Playing White” meant diverging from tradition. I understood it as behaving in a ridiculous and impractical manner. At the same time, I was served a tray of “check your privilege.” I don’t have to justify having a fancy dinner with friends, but I suspect that some disadvantaged groups still do not share that privilege.
Published in the transformative and rough years of the Civil Rights Movement, A Good Heart and A Light Hand reiterates that many Black women had a double responsibility to the family and to further social progress. All things considered, I don’t blame Ruth for rolling her eyes at the extravagance of Luncheon Club activities.
Making these opinions even more magical, Ruth’s bombs of truth are innocently tucked away in a spiral-bound notebook, only a few pages away from a hot cocoa recipe.
Blog post by Jane LaBarbara,Assistant Curator, WVRHC.
Since we are a week away from the anniversary of her birth (August 16, 1913), I’d like to celebrate Helen Louise (Froelich) Holt. She was the wife of Rush Dew Holt, who was generally credited with being the youngest popularly elected senator in the U.S. Senate, and she was a very educated woman and a public servant in her own right. The WVRHC houses a collection of her papers.
Helen Holt was more academically accomplished than most women of her day, and had a career in education before moving into politics. She received an AA degree at Stephens College, and then a Bachelors degree and an MS in Zoology at Northwestern University by 1938. (For contrast, only 4% of women in 1940 had completed four years of college.) From 1938-1941, she taught science courses at National Park College.
According to an obituary, Mrs. Holt first attracted her future husband’s attention when she was included in the February 12, 1940 issue of Life, where a photograph of her appeared as one of a selection of pretty schoolteachers. The two-page spread was allegedly prompted by mass retaliation to a letter from a reader claiming that many schoolteachers were ugly.
Headshot of Helen (Froelich) Holt, 1940, from Life magazine
There was a brief article accompanying the pictures that pointed out the average salary of schoolteachers (presumably K-12) was $1,200 per year and suggested that teachers lost their jobs when they married, though it wasn’t noted whether this was the result of transitioning to the role of wife and homemaker or if marriage was generally cause for termination of a teaching position in 1940. (I have heard rumors that women who married were terminated from teaching jobs – if anyone has facts to share about this practice, please feel free to share them in the comments!) Regardless of how they met, Helen and Rush married in mid-June of 1941 and moved to West Virginia.
Between 1941 and 1955, Mrs. Holt cared for three children and supported her husband’s campaigns and political work. In 1955, her husband died, and she was appointed by the governor of West Virginia to fulfill her late husband’s term in the West Virginia House of Delegates. She then was elected as a delegate to the 1956 Republican National Convention, accepted a short-term teaching job at Greenbrier College, and followed that with a history-making appointment.
Articles from various West Virginia and Washington D.C. newspapers announcing Mrs. Holt’s new position, 1957
According to the above articles, Helen Holt was the first woman ever to serve on the Board of Public Works AND the first woman to ever serve as secretary of state when she was appointed to that position following the death of the long-serving D. Pitt O’Brien. Based on the articles, it sounds like she moved her family from Lewisburg to Charleston in a matter of days, and started the position earning $11,000 per year to support herself and her children.
Secretary of State Helen F. Holt holding up West Virginia state flag, ca. 1958
Her work as secretary of state allowed her to show more of her skills and make additional political contacts, which helped bring her to the attention of the President Eisenhower. He appointed her to serve as Special Assistant to the Commissioner of the Federal Housing Administration for Nursing Homes Program in 1960. From there she transitioned to assistant to the secretary for programs for the elderly and the handicapped in the Department of Housing and Urban Development in 1974, and she continued her federal service until 1983. Her time working for the federal government spanned the careers of seven presidents, and she helped develop and implement a federal nursing home program from the ground up, advocating for quality care across the U.S.
Barbara Bush, Helen Holt, and Nancy Reagan, undated
After concluding her career, Mrs. Holt continued to participate in volunteer work, including in a variety of women’s organizations and church groups. She lived to be over 100 years old, passing away in 2015. Please join me in celebrating this remarkable woman!
Blog post by Christina White, undergraduate researcher at WVU
This is the eleventh post in White’s series on race, justice, and social change through cookbooks, featuring the following books from the Ebersole collection: Mammy Pleasant’s Cookbook, A Date with a Dish, A Good Heart and a Light Hand, and The Jemima Code.
After a busy day at North Elementary School, I used to knock on all my friends’ doors to see who was home and ready to play. One of them would pull me inside and say, “My mom says we can play after dinner. Eat with us!”
I’d always get nervous and say, “Are you sure? I don’t wanna invite myself!”
To young me, inviting oneself over was rude and invasive. My family told me not to be a burden, to respect privacy. Reading another cookbook at the West Virginia & Regional History Center, I learned that my upbringing differs from that of a community-oriented woman named Ruth L. Gaskins. She taught me to embrace any opportunity, maybe just more than before, to invite myself over and share a meal with a friend.
A Good Heart and A Light Hand by Ruth L. Gaskins was published in 1968 in a world where family extended beyond the nuclear definition of mother, father, siblings, etc. Ruth describes a tradition of welcoming guests as “the Negro Welcome.”
Here it is:
Ruth contextualized this Welcome through slavery: “For over 200 years we were told where to live and where to work… The only real comfort came at the end of the day, when we took either the food that we were given, or the food that we raised… and we sat down with our own kind and talked and sang and ate.”
Restaurant food isn’t a big deal when you cook all day for a family reunion in your own home. However, the Welcome can travel, and does so mostly to the Church.
We’ll talk more about the significant role of the Church later; I’ll wrap up this post with a reflection on inviting yourself to another’s home.
Boundaries and etiquette should always be considered, but this spiral-bound cookbook introduced me to a different way of life. “Tight friends” understand their automatic invitation to come over and share a meal. My childhood buddies didn’t hesitate to pull me inside. It took years of social conditioning in middle and high school to make me believe that I should mind my business or avoid being a bother. If someone is bothering me, I’d probably let them know! For too long, I incorrectly assumed that I was a nuisance or that an invitation wasn’t genuine.
When I extend my home and kitchen to you, I mean it. Ruth and her community meant it. Traveling abroad during college revealed a multitude of cultures and families that love having new guests over for dinner. Food takes on a new role: a way to welcome, display affection, and become part of a community.
“A Negro kitchen belongs to any woman who wants to use it.”
Blog post by Linda Blake, University Librarian Emerita, WVRHC
I continue to enjoy histories related to areas where I grew up, the Appalachians, West Virginian specifically. In this blog post I describe three novels set here. All the books are available in the West Virginia University Libraries as well as in many West Virginia public and college libraries.
The first book, Mud and Money, delivers a multi-generational family saga set during the gas and oil well boom in Gilmer County. The second and third books, Clay’s Quilt and The Stories of Breece D’J Pancake, are firmly about masculinity. The characters are males in their twenties and the novels are about their coping in Appalachia. Strong women characters are not absent from these two books, but the stories really revolve around men.
Mud and Money centers around the oil and gas boom in Gilmer County, West Virginia, before, during, and after the WWI years. Ellyson writes about the impact of the oil and gas industry on the lives of the people. She details descriptions of the functioning of the wells and drilling and provides an historical record of the industry’s early days. This passage in the first pages of the book, gives the reader a portent of the impact of the oil and gas industry on farming communities.
Bed clothes were sunning in the yard, while downy little chicks peeped contentedly in the sun in the wake of the proud mother. When the deafening roar filled the little universe, it was changed for ever [sic] more. Immediately everybody stopped work and listened, fear chilling their hearts, for always sounds that are unfamiliar have brought great fear to the human race.
Central West Virginians will particularly appreciate the descriptions of the hardships, family life, struggles, and culture of early 20th century farm life as well as the vivid descriptions of the beauty and peace in the mountains. Through the story of the Mills family and others in the small community of Tanner, the novel personalizes the impact of industrial development.
While many characters are stereotypical in Mud and Money, such as the self-sacrificing mother, the wise old granny, the plodding father, the characters are also likable, despicable, and human. The reader will find herself cheering them on, except for the despicable fellow. The plot lines will keep you reading as you follow the struggles of the Mills family and their neighbors through generations.
The early oil and gas industry in West Virginia is well documented in the WVRHC through books and archival collections. To search the archives as well as for books, photographs, and printed ephemera, visit the WVRHC web page.
Clay’s Quilt, the first of three companion novels by Silas House, are all set in rural Kentucky and include some of the same characters. The other two books are A Parchment of Leaves and The Coal Tattoo.
Clay is Clay Sizemore, a coal miner. The book demonstrates the quilt of his life made up of the squares of his relationships with family and friends. At the root of the story is the impact of his mother being killed when he was four years old and how that tragedy reverberates through time. Other central characters in the book include Aunt Easter who raised Clay; the wild Evangeline, his friend since childhood; Alma, the troubled fiddle player; and Cake, another long-time friend. All of these contribute to the uniquely Appalachian story of growing up in coal country.
One of Silas House’s best talents is scene description, and although he sets a mood with his lovingly crafted descriptions of nature and the mountains,
The top of the mountain was lit with a silver glow, and the clouds above the moon were streaks of white, liquid light. He considered the mountain and felt like climbing it. He hadn’t been up there at night in ages. He heard it calling to him, telling him that if he would go up those old paths, he might see something that would answer one of his many questions, but he turned away…
I particularly identified with this lively church scene:
God was loose in the church house, and the Holy Ghost ran rampant among the people, sizzling through the air and hitting the women until they were forced to shake with wild abandon, succumbing to the spirit, throwing their heads back and speaking in unknown tongues, dancing out into the pews and rushing round and round the church, swaying like waterless swimmers in front of the alter, screaming loudly and taking off to run up and down the aisle.
Give House’s books a try for vivid descriptions of our mountains and for a good story with readily identifiable Appalachian characters.
Breece D’J Pancake was just a fabulous writer. His stories are also steeped in maleness and coal country and offer an unquestionable and impactful literary style which continues to be read and studied since Pancake’s death at 26 years old in 1979. The West Virginia and Regional History Center holds the papers of Breece Pancake.
Pancake vividly uses strong metaphors and analogies to describe the West Virginia of those caught in despair. For example, the search for trilobites in the first story symbolizes the unfruitful search through layers for answer to the Colly’s problems, and Prince Albert, who is both royalty and an image on a tobacco can is trapped just the same as coal miners underground. He excels at setting a tone with each word brilliantly chosen. Here he describes a fall morning before a fox hunt.
The passing of an autumn night left no mark on the patchwork blacktop of the secondary road that led to Parkins. A gray ooze of light began to crest the eastern hills above the hollow and sift a blue haze through the black bowels of linking oak branches. A small wind shivered, and sycamore leaves chattered across the pavement but were stopped by the fighting-green orchard grass on the berm.
While “Trilobites” is the most anthologized story, another one resonated the most with me. “The Honored Dead” is about the conflict in men who continue to be at war even after leaving service. The narrator has opted out of going to Vietnam, but the story is mostly about his friend who died there and the guilt and distress of taking his place in some ways. This survivor’s guilt affected a whole generation. In addition, there is the narrator’s father who still suffers from his WWII experiences and his grandfather who fought in the Mine Wars, which to West Virginians was just as impactful as any declared national conflict.
While these stories are intellectually illuminating, they are also deeply dark. Most jolting to me is the raw edge Pancake gives them using unseemly acts of violence such as hunting and killing animals, rape, and imagined murder.
Blog post by Christina White, undergraduate researcher at WVU
This is the tenth post in White’s series on race, justice, and social change through cookbooks, featuring the following books from the Ebersole collection: Mammy Pleasant’s Cookbook, A Date with a Dish, A Good Heart and a Light Hand, and The Jemima Code.
What women were expected to do, how to do it, and why they should do it is spelled out word for word in Freda de Knight’s cookbook. I felt like I was studying a women’s manual for proper household management, subscribing to a cooking tips blog, and learning a history lesson all at once.
A Date with a Dish is packed with “women’s advice and tips.” Written for women by a woman, I felt an intimacy created by mutual understanding of strictly female responsibilities at the time. Here’s a few of her strong suggestions for women:
Freda’s recommendations jumped out at me for different reasons. I resonated with some and went pffffft at others. I was not expecting a cookbook to instruct me on color schemes, silverware placement, calorie counting, or how to raise children.
Some of the most interesting tips from Freda:
“If your room is dark, make your table bright; add your sunshine”
“Create a picture when you set a table… give your table personality”
“And if you want to keep your weight down along with your doctor’s advice, eat regularly, wisely, and well. Eat sparingly of starches, sugars and fats.”
When I read about the correct method for candle placement, I had to take a break and close the book. I thought, why does this matter? Is it getting ridiculous?
It did matter to Freda and the women who purchased the book. I realized that cookbooks share values and lifestyles. As ridiculous it sounds to a college student in 2021, Freda believed these tips would uplift and refine her readers’ household.
My favorite bit of advice from Freda:
“Don’t save the best for company, continually be your own guest.”
Blog post by Christina White, undergraduate researcher at WVU
This is the ninth post in White’s series on race, justice, and social change through cookbooks, featuring the following books from the Ebersole collection: Mammy Pleasant’s Cookbook, A Date with a Dish, A Good Heart and a Light Hand, and The Jemima Code.
How ridiculous and insulting! My happiness does not depend on feeding my future husband good, “manly” food!
Calm down, Christina. This was written 80 years ago…
There were some elements of Freda’s book, A Date with a Dish, that disgruntled me, even though the cookbook is overwhelmingly supportive of Black women and their liberties.
Entries like this took a minute of reflection to come to terms with:
In no attempt to justify this philosophy, I engaged in a practice of empathy building after reading sections that labeled women as dependent. My college friends and I would all benefit from this sort of mental gymnastics. Yes, it’s uncomfortable to read about keeping your husband happy by cooking great meals, but how did this reality shape women’s status? How does it still influence parts of the world and our region of Appalachia? Answering these questions help us understand the context and roots of modern sexism.
With that in mind, there is an entire section dedicated to men’s recipes:
Freda playfully mentions the reward for a manly meal: a diamond bracelet or kiss. In one minute, Freda is a champion of Black representation. The next, she echoes traditional gender roles that hurt my feminist heart. Freda was a powerful female icon, the editor of Ebony magazine, and at the same time, telling readers to avoid making “dainty” sandwiches for their husbands.
I had to remind myself that her steps forward are not erased by values I don’t agree with. It’s possible and important to appreciate her work and bravery in other areas, as she broke ground in terms of Black culinary representation. If you open a page of a book like this and immediately feel attacked, maybe see what else it has to offer. Absorb its message as a whole.
Blog post by Stewart Plein, Associate Curator for WV Books & Printed Resources & Rare Book Librarian
International Kelmscott Press Day will be held this year on Saturday, June 26, 2021. This day celebrates the 130th anniversary of the Kelmscott Press, founded by the British artist and printer, William Morris, in 1891. It also marks the 125th anniversary of the publication of the Kelmscott Press edition of The Works of Geoffrey Chaucer. This edition, published in 1896, is considered to be one of the most beautiful books ever printed. Morris, along with his friend and colleague, Sir Edward Burne-Jones, labored over every detail for a period of four years. Both were members of the group of artists known as the Pre-Raphaelite Brotherhood, along with fellow artists Dante Gabriel Rossetti, William Holman Hunt and others.
While WVU does not own the Kelmscott Press edition of The Works of Geoffrey Chaucer, the rare book room holds an earlier copy of the book printed in 1561. This edition is titled The Woorkes of Geffrey Chaucer: Newly Printed, with Diuers Addicions, Whiche Were Neuer in Printe Before. Note the Old English spellings of the words in the title. This is a later edition of Chaucer’s Works with the addition of new material never printed in earlier editions. Chaucer may be best known for his work The Canterbury Tales. This volume contains the collected works of Chaucer, including the Canterbury Tales and other writings.
While WVU owns a facsimile edition of Chaucer’s Works, the rare book room also owns one of William Morris’s Kelmscott Press publications, The Wood Beyond the World, published in 1894, two years before he published The Works of Geoffrey Chaucer. This novel, written by Morris, is considered one of the first works of fantasy every published. According to Wikipedia, Morris can be considered the first modern fantasy writer to bring together the twin themes of an imaginary world with the supernatural. Long before Tolkien published The Lord of the Rings or the Hobbit, Morris wrote and published The Wood Beyond the World.
Morris developed a fascination with medieval printing and he strived to recreate the lettering and illustrations of the medieval period in the works he published at the Kelmscott Press. Books printed by Morris at his press were designed to replicate the medieval fonts and printing styles he loved and are heralded to this day as beautiful examples of the printing art.
The frontis illustration and the first page of text of the Wood Beyond the World designed and created by the artist Sir Edward Burne-Jones.
Fellow artist and member of the Pre-Raphaelite Brotherhood, Sir Edward Burne-Jones, created illustrations from wood cuts to decorate the book. The printing was set deeply into the hand made paper. If you were to run your finger across the page you could feel how deeply the illustrations and text are printed into the page. The book is bound in vellum, the finely processed skin of calves, and bound with ribbon ties. Vellum is sensitive to humidity, which causes the binding to swell and flare. Silk ties, in pink or green, were used to gently hold the book closed when not in use in order to maintain its shape.
Sir Edward Burne-Jones
Morris also used another medieval device to mark his press. During medieval times, the printers’ information was often found on the last page of the book, rather than on the title page, like books today. This device or press emblem is called a colophon. Morris designed a colophon for the Kelmscott Press and printed it on the last page of every book.
The colophon for The Wood Beyond the World reads:
“Here ends the tale of the Wood beyond the World, made by William Morris, and printed by him at the Kelmscott Press, Upper Mall, Hammersmith, finished the 30th day of May, 1894. Below the device, or colophon, are the words, “Sold by William Morris, at the Kelmscott Press.” By including the address, people interested in purchasing the book would know where to buy it.
While the West Virginia and Regional History Center and the Rare Book Room remain closed to the public, WVU faculty and students can make an appointment to view Morris’s Wood Beyond the World by contacting Stewart Plein at Stewart.Plein@mail.wvu.edu
The West Virginia University Libraries are excited to announce their first transformative Read & Publish agreement with a major publisher of academic journals. This agreement with Cambridge University Press is effective immediately.
Read & Publish agreements offer the opportunity to facilitate an institution’s transition to open access (OA) by repurposing money that would have been spent on traditional journal subscriptions to open access publishing. This affordable and sustainable Read & Publish model will offer the following significant benefits for the WVU community:
WVU will have full-text access to the entire collection of 400+ Cambridge University Press (CUP) titles. Up to now, the university has had a subscription to just 15 of those titles.
WVU will retain perpetual rights to all volumes published in 2021 (and beyond for the term of the agreement) of all titles in the collection.
There will be no article processing charges (APCs) assessed to WVU authors for open access (OA) articles in Cambridge University Press journals.
All WVU-authored articles that are published in a CUP journal that accepts OA articles will be published OA if the author elects to have the article published OA. The journal will highlight this option as the author goes through the process of article publication.
Cambridge will retroactively reach out to WVU authors who have previously published in their journals to let them know about the new open access option they will have going forward.
Articles published non-OA in Cambridge OA journals during the term of the agreement will be eligible for retroactive conversion to open access provided that the request to convert to OA is made within the same year the article was published.
There is no limit to the number of articles from WVU authors that can be published open access in Cambridge journals.
WVU authors who choose to publish OA will retain the copyright to their article and may freely share their work on personal websites and in open access repositories, including the Research Repository @ WVU.
Cambridge University Press publishes journals covering a wide range of subjects across the humanities, social sciences, technology, sciences, and medicine. Since 2017, WVU authors have published a total of 35 articles in CUP journals, for an average publishing output of seven per year. Only three of those articles have been published as open access articles. This new Read & Publish agreement offers the opportunity for WVU authors to greatly increase exposure to their research in reputable peer-reviewed journals with no fee involved.
Blog post by Christina White, undergraduate researcher at WVU
This is the eighth post in White’s series on race, justice, and social change through cookbooks, featuring the following books from the Ebersole collection: Mammy Pleasant’s Cookbook, A Date with a Dish, A Good Heart and a Light Hand, and The Jemima Code.
The author of A Date with a Dish, Freda de Knight discusses women’s roles in an unintentional, matter of fact way. It’s clear that this 1948 cookbook was written for and by another generation. Today’s college women might not relate to these assumptions; I admit some of them made me cringe.
What is a business-wife? Does she mean microwave meals? Why does reading a cookbook sound like a grueling homework assignment?
To start, the microwave was invented in 1946. This was the dawn of ready-to-eat foods. While homemade meals are still prioritized, Freda recognized the convenience culture that was born with the microwave and shrewdly incorporated it into her book.
Moving on to women’s roles, I was overwhelmed by Freda’s suggestions and tips. I can’t imagine the pressure and societal expectations that Freda and her readers faced. Furthermore, it’s one thing to read about sexist gender roles in a textbook. It’s much more personal and triggering to read them in a cookbook, even though I understand the context was different.
This work allows modern women to better understand the stressors on Black women of Freda’s time. You can read about how they managed the home, meal prepped, and went about teaching dietary habits to kids. First hand records like cookbooks are indispensable pieces of evidence to appreciate the daily existences of Black women in America. I urge you to use one in your next history project!
Juneteenth marks the day, June 19th, 1865, that all enslaved people in the United States learned of their freedom. It was on this date in Galveston, Texas, that General Gordon Granger affirmed the freedom of at least 250,000 enslaved African Americans in Texas. Coverage of this event appeared in West Virginia newspapers.
“To come together in a celebration is an act of community” – Ancella Bickley
The celebrations occurring this year are a continuation of years of Emancipation Day celebrations in West Virginia, held as early as 1867. The following newspaper clippings highlight Emancipation Day celebrations held throughout the state in the 19th and 20th centuries.
Join us for Out of the Margins: a virtual roundtable of library workers and their published books on June 25 at noon via Zoom. Panelists will include Martin Dunlap, Eva Mays, James Shaver, and Beth Toren.
Over a century ago this week Mary Harris Jones, more commonly known as Mother Jones, gathered with miners in Star City to rally support for the miners’ union. Held on a Sunday morning, newspapers at the time reported that as many as 600 people attended with 400 of the miners voicing their desire to join the union after the event. Mother Jones was certainly a divisive figure in the labor movement of the early 1900’s, but she was able to draw a crowd to her with, as The Morgantown Post put it, “profanely eloquent” speaking skills.
As the WVRHC prepares for the annual West Virginia Day event this Friday, I’d like to take a minute to contextualize the Mother Jones’ involvement with the miners in 1918, just three years before the Mine Wars came to a militant halt on Blair Mountain. Looking at Mother Jones’ history, unionization in the West Virginia coalfields was not the only labor movement she rallied behind, but it was perhaps one of her most passionate campaigns. By 1918, she was a well-respected activist among miners, and the Star City meeting was organized by UMWA president, C. Frank Kenney, one of the union’s most influential leaders. However, it wasn’t just Keeney who was familiar with Mother Jones but also a number of notable pro-union West Virginians including William Blizzard, Fred Mooney, Sid Hatfield, among others.
Her activism and rallies previously led to her 1913 arrest following her support during the Paint Creek-Cabin Creek strike in 1912 and the subsequent martial law order. Her support of and popularity with the miners would eventually wane. In 1921 prior to the Battle of Blair Mountain, Jones attempted to deter the armed miners as they prepared to march by claiming to have a telegram straight from President Warren himself that promised an end to violence if the miners backed down. However, Jones was unable to present the telegram when asked, which broke her trust with the miners and caused her to leave West Virginia.
In this photo, we can see Mother Jones sitting alongside Sid Hatfield, police chief of Matewan during the Matewan Massacre and whose death fueled the March on Logan and Battle of Blair Mountain.
Regardless, Mother Jones remains an important figure of discussion in the early 20th century West Virginia coalfields. As a reminder, please join us at 10 AM on Friday June 18th for our West Virginia Day event, The Road to Blair Mountain: Commemorating the West Virginia Mine Wars. The program will feature presentations by William Hal Gorby, Assistant Teaching Professor of History at WVU, and Charles B. Keeney, Assistant Professor of History at Southern West Virginia Community and Technical College, founding member of the West Virginia Mine Wars Museum, and author of The Road to Blair Mountain. Please check our website for more information, and please register for the event.
For additional reading, I used the following books available through WVU Libraries and the WVRHC in my research for this post:
Miners gather for a meal during a strike, circa 1920. Photo from the West Virginia and Regional History Center.
West Virginia University Libraries and the West Virginia and Regional History Center will celebrate West Virginia Day with “The Road to Blair Mountain: Commemorating the West Virginia Mine Wars.” There will be a program and an exhibit focusing on the West Virginia mine wars, a series of strikes and battles between 1912 and 1921 that pitted pro-union miners against the coal companies. Most notable among these events was the Battle of Blair Mountain, which marks its 100th anniversary this year.
Plan to join us June 18 from 10-11:30 a.m. for the virtual program, which will feature presentations by William Hal Gorby, assistant teaching professor of history in WVU’s Eberly College of Arts and Sciences and consultant for the PBS American Experience documentary “The Mine Wars,” and Charles B. Keeney, assistant professor of history at Southern West Virginia Community and Technical College, founding member of the West Virginia Mine Wars Museum, and author of “The Road to Blair Mountain.”
Blog post by Rachael Barbara Nicholas, WV National Digital Newspaper Project grant assistant, WVRHC
The Martinsburg Independent, formerly the Martinsburg Weekly Independent, could proudly claim in 1900 that it was the oldest newspaper in Berkeley County. The first editorial partnership, the Independent Printing Co., published the Weekly Independent and its successor from 1873 to 1879. They knew “that an independent, courageous newspaper, one that should be the reflex of no single man’s mind, that should be free from party trammels, and which would express its honest judgment without fear or favor, was needed in Berkeley County.” The eight sheets that comprised the Martinsburg Independent contained local news, national news, poems and stories, and advertisements. The editors printed material critical of both parties, including their preferred party, the Republicans. In the waning days of Reconstruction, they published a special dispatch denouncing Republicans “for the wrongs which they have, since 1865, heaped upon the Southern white people.” The dispatch seemed to verify the Independent’s position as a paper “Unawed by Influence, and Unbribed by Gain.” The Independent did not hesitate to share its opinions, even when that meant crossing party lines.
However, independence was never synonymous with neutrality. Throughout its publishing history, the Martinsburg Independent engaged with politics. It became especially bold under John Nelson Wisner, a prominent attorney, and his co-editor, W. T. Logan, to whom control of the Independent passed in 1879. The advent of the Progressive Era brought with it new topics that editors could not wait to address: labor unions, prohibition, and women’s suffrage. Wisner took a special interest in women’s suffrage, although the articles he chose for publication were generally negative. One contributor, quoted on March 27, 1886, praised the formative influence women had on great men as mothers. He feared the future would lack George Washingtons, John Wesleys, and Garfields because “woman certainly [could not] attend properly to her duties at home, and, at the same time, mix in politics.” This notion of Republican motherhood, an eighteenth-century ideology, found proponents amongst men and women. Advocates of Republican motherhood and the Cult of Domesticity praised the civilizing influence of women in the Independent. “In the age of chivalry it was the beauty of woman that wrestled successfully against barbarism,” one wrote. Only “she softened the rude manners of the warrior… and thus civilized those whose hearts could be touched by no other human power.” The author therefore concluded that women should not rule or participate in government. “Let her fill the sphere appointed her by nature,” he advised, and there “she will be a true sovereign.”
A poem published on March 5, 1881, linking motherhood and womanhood.
Independence did not preclude Wisner from encouraging policies that were associated with a particular party. At the height of the Progressive Era, Wisner championed the gold standard, a policy the Independent shared with its Republican neighbor, the Martinsburg Herald. On the subject of free silver, Wisner said he would be for it if he could “get any of it free” before asking, sarcastically, if “the free silverites [would] first arrange to dump a car load into our coffers.” He continued to defend the gold standard even when the Democratic Statesman accused him of breathing “the sweetest, loftiest praises” of President Cleveland, a Democrat. “We simply stood upon the financial policy of the Republican Party, and the President happened to be a gold man,” Wisner retorted. “This is as far as we went.” For all intents and purposes, Wisner was a Republican. He led the party in Martinsburg, and other newspaper editors referred to him accordingly.
The turn of the century dawned on a potentially bright future for America but not the Martinsburg Independent. Wisner was struggling to obtain payments from subscribers in 1899, lamenting “[that] the new dress for the Independent, recently promised, has been delayed for want of funds.” He pleaded with his readers for more money and apparently received enough to continue printing for most of 1900—but not all of it. The Shepherdstown Register reported in December that Wisner had discontinued the Independent, as did the Spirit of Jefferson. Wisner retired his printing press and died three years later at the age of fifty-eight.
The Independent Printing Co., “Volume 2, No. 1,” The Martinsburg Weekly Independent, Martinsburg, West Virginia, April 4, 1874.
The Independent Printing Co., National Republican Ticket, The Martinsburg Independent, Martinsburg, West Virginia, October 28, 1876. The editors printed a copy of the National Republican ticket in 1876; they did not print the Democratic ticket for Samuel Tilden.
Independent Printing Co., “The Republicans’ Scheme,” The Martinsburg Independent, Martinsburg, West Virginia, February 24, 1877.
Independent Printing Co., Header, The Martinsburg Independent, Martinsburg, West Virginia, May 12, 1877. This was the paper’s official slogan.
J. Nelson Wisner and W. T. Logan, “Business Change,” The Martinsburg Independent, Martinsburg, West Virginia, January 4, 1879. Logan left the partnership in 1884 because of poor health. See W. T. Logan, “To the Public,” The Martinsburg Independent, Martinsburg, West Virginia, August 23, 1884.
E.E.U., “Woman Suffrage,” The Martinsburg Independent, Martinsburg, West Virginia, March 27, 1886.
L. D-W. G., “Female Sovereignty,” The Martinsburg Independent, Martinsburg, West Virginia, March 27, 1886.
J. Nelson Wisner, The Martinsburg Independent, Martinsburg, West Virginia, February 8, 1896.
J. Nelson Wisner, The Martinsburg Independent, Martinsburg, West Virginia, January 16, 1897.
George W. Haines, The Spirit of Jefferson, Charles Town, West Virginia, December 11, 1900; Unknown author, “John N. Wisner Dead,” The Baltimore Sun, Baltimore, Maryland, February 20, 1903.
J. Nelson Wisner, “The New Dress,” The Martinsburg Independent, Martinsburg, West Virginia, December 16, 1899.
H. L. Snyder, The Shepherdstown Register, Shepherdstown, West Virginia, December 13, 1900; Haines, The Spirit of Jefferson, December 11, 1900.
Unknown author, “John N. Wisner Dead,” February 20, 1903.
Blog post by Christina White, undergraduate researcher at WVU
This is the seventh post in White’s series on race, justice, and social change through cookbooks, featuring the following books from the Ebersole collection: Mammy Pleasant’s Cookbook, A Date with a Dish, A Good Heart and a Light Hand, and The Jemima Code.
A Date with a Dish slices through fallacies and vegetables alike. Freda de Knight writes like she’s chatting on the phone with a girlfriend, whisking readers away on interviews with America’s Black chefs. As I’ve said in earlier posts, the angle found within a cookbook is unfiltered and raw in comparison to accounts written by dominant groups, or those unaffected by Black America’s challenges.
Struggle isn’t an ingredient, but a tangible influence on the composition of a recipe. Freda emphasized “food that stretches” for times of financial hardship. All-in-one recipes like “Mama Scott’s Inexpensive Dinner” document ways that people adapted and problem-solved.
“When sugar was scarce and pennies low, maple syrup and even molasses made delightful eating, added to apples which were topped with a crunchy, flaky crust.”
How to “budget slash” and reuse ham:
Freda agreed with the saying, “Necessity is the mother of invention.” She understood the needs of her readers and published a tool to help them save money. What a boss!
Brad Hart, a 14-year employee of WVU facilities and preventative maintenance, started collecting KISS memorabilia in 1995 after seeing the tribute band, Strutter, at The Nyabinghi Dance Hall (currently 123 Pleasant Street). This turned out to be great timing, as the four original members kicked off a reunion tour in 1996, leading to the release of a whole new wave of KISS merchandise. To date, Hart has over 600 items in his collection, ranging from vintage to new. He rarely purchases items online, enjoying the “thrill of the hunt” at antique malls, thrift shops, flea markets, etc. Hart is a musician himself, having just wrapped up a 34-year career of playing bass guitar in several popular bands in the Morgantown area.
Wes Utt, who has worked in the WVU preventative maintenance shop for 14 years, began collecting and dealing in antiques more than 30 years ago. His main passion is selling and trading at toy and antique shows and flea markets where he’s met some of his closest friends. His earliest pieces date back to the early 1900s. This exhibit was organized by WVU Art in the Libraries.
“The West Virginia Feminist Activist Collection brings together the records of people and institutions that worked to advance women’s rights. The materials hold the stories of challenges and change for women in West Virginia. The archive will be useful for scholars, teachers, and anyone interested in women’s history,” WVRHC Assistant Director Lori Hostuttler said.
The grants – $19,998 from the Humanities Council and $12,601 from the WVU Humanities Center – will enable their team to conduct outreach, collect papers and oral histories, and hold educational programs across the state to educate West Virginians about archival practices and women’s history.
Blog post by Stewart Plein, Associate Curator for WV Books & Printed Resources & Rare Book Librarian
Long awaited reports on UFO’s, or UAPs (unidentified aerial phenomena), as the military defines them, may soon become a reality as early as June 1st, according to the story by Seth Shostak, senior astronomer at the SETI Institute, (Search for Extraterrestrial Intelligence) posted to NBC News yesterday, May 23. The American public has been taunted with tantalizing photographs, films and eye witness reports for decades. Now the military, who began to hint a couple of years ago, that yes, in fact, they were studying UFO’s and extraterrestrial intelligence, may finally reveal their evidence for alien crafts in American airspace.
I hope the reports start in Clarksburg.
Clarksburg, the county seat of Harrison County, is in the north-central part of the state on Hwy 79 about 45 minutes from Morgantown. Clarksburg has a great history. Named for General George Rogers Clark, remembered for fighting against the British and Native Americans during the Indian Wars and American Revolution. Earlier, mound builders in the Hopewell Culture established mounds near Clarksburg. Early settlers formed communities and erected log cabins as early as 1772 and in 1785, the Virginia General Assembly voted to authorize Clarksburg as a town.
None of that can hold a candle to one man, Braxton County native, Gray Barker, (1925 – 1984) an internationally recognized UFOlogist and his Saucerian Press. Yes, you read that right, Saucerian Books, located in Clarksburg, takes its name from flying saucers.
Barker, from the small town of Riffle, located about an hour outside Clarksburg, graduated from Glenville State College in 1947. He taught English for a while in Maryland after graduation. In 1952, while working as a theater booker in Clarksburg, he started collecting stories about the Flatwoods Monster. This unexplained presence has been described as a “man-like figure with a round, red face surrounded by a pointed, hood-like shape” wearing a green outfit with claw like hands.
Note the scale.
Intrigued by all things weird, Barker wrote an article about the Flatwoods monster and flying saucers and submitted it to FATE Magazine, a magazine devoted to paranormal phenomena. According to Wikipedia, FATE was co-founded in 1948 by Raymond A. Palmer (editor of Amazing Stories) and Curtis Fuller. Still in publication today, FATE is now the longest-running magazine devoted to the paranormal.
For Barker, that was fate indeed! His article, “The Monster and the Saucer,” was accepted and published in January 1953. From there, Barker began writing regularly about UFOs for the magazine Space Review, published by the International Flying Saucer Bureau. Later on, once his career as a sci-fi author was established, Barker founded his own press in Clarksburg, the Saucerian Press, to publish his bulletin, The Saucerian, and his books.
In his 1956 book They Knew Too Much About Flying Saucers, Gray Barker introduced the concept of the Men in Black to UFO folklore. Yes, Gray Barker invented the Men In Black! Will Smith and Tommy Lee Jones can thank Gray Barker for their roles in this 1997 film!
Gray Barker’s book, The Silver Bridge, linked the collapse of the Silver bridge in Point Pleasant with the appearance of the Mothman, a winged being with large red eyes that had been seen in Point Pleasant prior to the bridge collapse.
The Silver Bridge was an eyebar-chain suspension bridge built in 1928 and named for the color of its aluminum paint. The bridge carries U.S. Route 35 over the Ohio River, connecting Point Pleasant and Gallipolis, Ohio.
Nearly two weeks before Christmas, on December 15, 1967, the Silver Bridge collapsed under the weight of rush-hour traffic, killing 46 people. Two of the victims were never found. Investigation of the wreckage pointed to the failure of a single eyebar in the suspension chain. Investigations proved that the bridge was carrying much heavier loads than originally designed and was poorly maintained.
Many are familiar John Keel’s book, The Mothman Prophecies, which spawned the 2011 movie of the same name, starring Richard Gere. But Barker was got there first – his book preceded Keel’s book by five years.
Can’t wait until June 1st? There’s a couple of local places with collections of Gray Barker’s publications. The Gray Barker Room at the Waldomore, the Clarksburg-Harrison County Public Library holds a collection of Gray Barker’s writings, as well as files of correspondence between Barker and notable figures in the UFO field from the 1950s to the early 1980s such as George Adamski, Howard Menger, James Moseley, and others. The room is a minor tourist stop for UFO enthusiasts.
Or stick closer to home and make an appointment to see Barker’s books published by his Saucerian Press at the West Virginia and Regional History Center. We’ll be happy to share with you!
In the meantime, I wonder if the History Channel is planning to renew the cancelled Project Blue Book? The time is right!
Blog post by Christina White, undergraduate researcher at WVU
This is the sixth post in White’s series on race, justice, and social change through cookbooks, featuring the following books from the Ebersole collection: Mammy Pleasant’s Cookbook, A Date with a Dish, A Good Heart and a Light Hand, and The Jemima Code.
Each recipe is a date! The author, Freda de Knight, introduces recipes with tidbits of history or personal advice. In the modern cookbook world, I get overwhelmed quickly. Each online recipe begins with paragraphs of extra tips on how exactly to roast this or marinate that, followed by bulleted lists of ingredients and instructions. A Date with a Dish slows down and eases you into the upcoming recipe, much like a girlfriend would sit me down to describe the guy she was setting me up with for a blind date.
A snippet of the preamble for “Smithfield Ham:”
Freda respects her contributors, radiating pride for Black chefs like Jimmy Daniels:
See what I mean?
More than a list of ingredients, the reader hears about Black Americans that invented the dish, festivities when it is served, and a vivid depiction of how to simmer, chop, or prepare for the main event.
Note that each “date” ends with an underlying message: Black cooks are diverse, skilled, and worthy of society’s praise and recognition.
