Senator Rockefeller was appointed to the Senate Select Committee on Intelligence (SSCI) in January 2001. His tenure coincided with some of the most critical years for the SSCI and the intelligence community. Only eight months after joining the SSCI, terrorists carried out attacks on U.S. soil on September 11. The 9/11 attacks thrust the Intelligence Community, and consequently the SSCI, into the limelight in unprecedented ways and changed the nature of the conduct of intelligence oversight.
WVU Libraries will commemorate the 20th anniversary of the 9/11 tragedy with “September 11, 2001: The Day that Changed the World,” an exhibit at Evansdale Library that presents the history of 9/11 and its ongoing implications through the personal stories of those who witnessed and survived the attacks.
Told across 14 posters, the exhibition includes archival photographs and images of artifacts from the 9/11 Memorial & Museum’s permanent collection. It explores the consequences of terrorism on individual lives and communities at the local, national, and international levels, and encourages critical thinking about the legacies of 9/11.
“During this 20th anniversary year, it is our privilege to share these lessons with a new generation, teach them about the ongoing repercussions of the 9/11 attacks and inspire them with the idea that, even in the darkest of times, we can come together, support one another and find the strength to renew and rebuild,” said 9/11 Memorial & Museum President and CEO Alice M. Greenwald.
West Virginia University Libraries’ “Appalachian Futures” exhibit has made its second stop on its tour of Appalachia. The exhibition will be on display at Appalachian State University’s Belk Library through December.
“Appalachian Futures” is the Art in the Libraries’ second annual collaborative, multidisciplinary project advancing important conversations in the region. The exhibit addresses the dominant contemporary narratives about Appalachia in a new way — how the people of Appalachia have worked and will work to rewrite their own narrative and transcend limiting definitions of what it means to be Appalachian.
“’Appalachian Futures’ takes us beyond the stereotypes to paint a rich and multi-layered picture of what it means to be Appalachian,” Libraries Exhibits Coordinator Sally Brown said.
Farina researched the early conceptualizations of botanic life in the pre-modern medicine world, as well as its effect on philosophy, art, and literature. She will discuss the categorization and naming of plants in ancient and medieval cultures, with a special focus on herbals.
Join us for Out of the Margins: a virtual roundtable of library workers and their published books on June 25 at noon via Zoom. Panelists will include Martin Dunlap, Eva Mays, James Shaver, and Beth Toren.
Brad Hart, a 14-year employee of WVU facilities and preventative maintenance, started collecting KISS memorabilia in 1995 after seeing the tribute band, Strutter, at The Nyabinghi Dance Hall (currently 123 Pleasant Street). This turned out to be great timing, as the four original members kicked off a reunion tour in 1996, leading to the release of a whole new wave of KISS merchandise. To date, Hart has over 600 items in his collection, ranging from vintage to new. He rarely purchases items online, enjoying the “thrill of the hunt” at antique malls, thrift shops, flea markets, etc. Hart is a musician himself, having just wrapped up a 34-year career of playing bass guitar in several popular bands in the Morgantown area.
Wes Utt, who has worked in the WVU preventative maintenance shop for 14 years, began collecting and dealing in antiques more than 30 years ago. His main passion is selling and trading at toy and antique shows and flea markets where he’s met some of his closest friends. His earliest pieces date back to the early 1900s. This exhibit was organized by WVU Art in the Libraries.
In “Remaking Appalachia,” his new book from WVU Press, Stump looks back more than a century to examine the creation of laws governing the rising power of coal and other industries, and chronicles their failure to protect Appalachia. In addition, Stump goes beyond law “reform” to explore true system change, a discussion undergirded by ecofeminism and ecosocialism.
By Sally Brown, WVU Libraries Exhibits Coordinator
Curating the Art in the Libraries’ large, multi-disciplinary exhibitions since 2018’s WATER, has proved an enormous and exciting part of my role as Exhibits Coordinator. Through WATER (2018-19) and Appalachian Futures (2019-20), I developed these large exhibitions with upwards of 50 diverse contributors, two committees, a designer, several sponsoring partners and of course, the signing off of Dean Karen Diaz for these displays going up in the Downtown Campus Library for the academic year.
This year’s exhibition, Undefeated: Canvas(s)ing the Politics Around Voter Suppression Since Women’s Suffrage, in conjunction with the Suffrage Centennial and the 55th anniversary of the Voting Rights Act of 1965, was complex in its multidisciplinary, and controversial in its political nature. The complexity was compounded by the pandemic not only logistically for exhibition display, but also as it heightened the unfolding story of contemporary voter suppression with myriad new voting considerations throughout the presidential election. Thankfully, the various contributors and partners allowed for multiple perspectives for this exhibition and its related programming and we were able to engage participation from WVU and broader communities.
Join panelists Jeri Burton, chair of the NOW’s 28th Amendment ERA Committee; Linda Coberly, chair of the ERA Coalition’s legal task force; and Liza Mickens, Vote Equality US co-founder, for a discussion about past and present efforts, challenges, and strategies for passing the Equal Rights Amendment. Danielle Emerling, Congressional & Political Papers archivist and WVRHC assistant curator, will moderate the event.
Art in the Libraries’ Virtual Program Series will present “Don’t Throw it Out!” a conversation about documenting women and the new West Virginia Feminist Activist Collection of the West Virginia and Regional History Center on March 19 at noon.
Panelists Judith Stitzel, Professor Emerita of English and Co-Founder of Women’s Studies, and Carroll Wilkinson, University Librarian Emerita, come together with Lori Hostuttler, Assistant Director of the WVRHC, to discuss collecting and documenting women’s lives, share some of their own photos, ephemera or objects, to encourage a broader and more accessible approach to archives and all it can encompass.
The State Journal published this article on March 3.
By Karen Diaz, Dean of WVU Libraries
Women – of all backgrounds – have made important contributions to society. Only recently are we learning more about these individuals and learning to give credit to women where that credit is due. The way we have learned more is through evidence. Often that evidence sits in archives used by historians and others to document how women have shaped society. Due to a long tradition of underrepresenting women and women’s contributions, there are archival silences or gaps in what has been preserved. This undervaluing perhaps also causes those making contributors to undervalue documenting what they have done.
Masks are the new symbol of our time. WVU’s Art in the Libraries Program will host a free virtual event titled “The Art of the Mask: A Community Discussion and Show-and-Tell” Monday, Feb. 15, from noon-1 p.m.
The Zoom gathering, in conjunction with the Art in the Libraries’ online exhibit, The Art of the Mask, will feature an informal sharing of masks and discussion by Suzanne Gosden-Kitchen, assistant chair and teaching associate professor in the Department of Management, John Chambers College of Business and Economics, and Matthew Tolliver, an adjunct faculty member at WVU and a certified professional school counselor, Monongalia County Schools. Their mask creations are part of the digital Art of the Mask exhibit.
“The Food Justice Lab is thrilled to support WVU Libraries with an art exhibit that will elevate the rich histories of Appalachian food heritage, explore the inequities presently coded into our food system and help us to imagine a more just and resilient food future for our region,” WVU Food Policy Research Director Joshua Lohnes said.
After being passed by Congress in 1919, the Nineteenth Amendment needed to be ratified by at least 36 states to become law. Success in the mountain state required conquering multiple hurdles, including assorted anti-suffrage protests. Despite such challenges, on March 10, 1920, West Virginia became the 34th state to approve the amendment.
Elections and campaigns have changed over the centuries, and the 2020 campaign season has looked like none before. As Americans decide on the future, this exhibit explores some of West Virginia’s political past, the contributions of West Virginia politicians, as well as the history of campaign materials.
Ellis researches how racial and class-based oppression interact continue to abridge and deny the right to vote to communities on the margins of American democracy. His work has analyzed voter identification laws for their socioeconomic effects, situated felon disenfranchisement laws as enforcing a political underclass, analyzed the theoretical scope of the Citizens United decision, and described the ideological drivers of vote suppression.
Asimov (1920-1992), widely considered one of the greatest science fiction writers of the twentieth-century, earned the title of “The Great Explainer” because he made complicated subjects easy to understand.
Marking the centennial of Asimov’s birth and promoting science fiction as an academic resource, the Asimov Symposium will feature conversations and presentations from the Eaton Collection of Science Fiction and Fantasy at the University of California at Riverside, the Gunn Center for the Study of Science Fiction at the University of Kansas, WVU’s Rare Book Collection and Eberly College of Arts and SciencesDepartment of English science fiction faculty.
The annual event is a creation of the Women of Appalachia Project (WOAP) who issues a call to residents throughout Appalachia. This year’s participants hail from West Virginia, Ohio, Kentucky, Pennsylvania, Virginia, Tennessee and North Carolina.
“Many people have an image of an Appalachian woman, and they look down on her. The mission of WOAP is to showcase the way in which female artists respond to the Appalachian region as a source of inspiration, bringing together women from diverse backgrounds, ages and experiences to embrace the stereotype – to show the whole woman; beyond the superficial factors that people use to judge her,” said Kari Gunter-Seymour, WOAP founder and executive director.
In commemoration of the Suffrage Centennial, the WVULibraries’Art in the Libraries Virtual Program will host Becky Cain Ceperley, former National League of Women Voters president, for a talk on the impact of voter registration and turnout on Friday, Oct. 9, from noon-1 p.m.
Ceperley is an at-large member of the Charleston City Council and serves as its president. She’s a former member of the Public Policy Committee of the Council on Foundations; national Executive Committee of the Leadership Conference on Civil Rights; the Advisory Committee on Election Law to the American Bar Association; the national Campaign Finance Institute; and the West Virginia Election Commission. Ceperley is also a recipient of the Distinguished Alumni Award from WVU’s Political Science Department and the Eberly College of Arts and Science.
Cook (1861-1941) was a gifted orator and respected leader in women’s suffrage, temperance, the fine arts and education. After graduating from Storer College at Harpers Ferry in 1881, she became the school’s first female instructor of African American descent. Cook went on to teach elocution at Howard University, establishing it as a permanent part of the curriculum and the foundation of their drama department.